Oftentimes a design plan flows from the selection of one singular decor feature that sets the tone and inspires the aesthetic of the entire home surrounding it. For Delhi, India-based interior designer Shivani Dogra, this was true when she was entrusted with the full-home design of a modern 2,800-square-foot home in Noida, India for a young couple and their three-year-old son. By Shivani’s description, the newer build was “an empty shell,” and once the couple settled first on a vintage, printed panel of a view of Varanasi, India printed by Ananbô, Paris, the rest of the home’s design fell into place.
“This would take center spot in the living room,” Shivani notes about the panel. “The rest of the decoration followed organically from there. We combed through nearly every good carpet seller in town and in neighboring towns to pick the right hand woven rugs — tribal kilims were chosen for the TV room, silk and wool mixed vintage rugs for the living room and the bedrooms. The colors for the upholstery, curtains and other soft furnishings were inspired by these intricately hand woven, deeply hued pieces.”
For the couple, a news anchor/managing editor of a media company and a consultant, a restorative home that was both peaceful and elegant was a much needed respite from the nearby bustle of the city. Shivani shares, “The compass on this project was ‘the feeling’ the clients wanted the space to [hold]. That guided us while making choices and though challenging, we made some interesting discoveries and all was well in the end. Choosing the art was an equally detailed, although time constrained process. We were aware that we had only a small window to make a choice that was informed and within budget. Some of it was made by me with dried flowers that’d been preserved by my client years ago and had sentimental value. Other pieces were sourced from individual artists and Indigenous art from Indian tribes. Pieces from Africa and the US also found their way into the space. Furniture was made in-house as per the clients’ requirements or bought from dealers of older furniture. Campaign furniture, used by the British on travel and military campaigns in India, [was] specially sourced as my clients were from military families and requested that there be some part of that heritage retained in the design.”
In the end, Shivani was able to take a completely blank canvas and infuse it with rich color, texture, and culture — all based off of her translations of how her clients wanted to feel at home. All of this makes for no easy feat, and Shivani is grateful for the lessons she gleaned from this special project. “The process of decorating a home is a lesson in the importance of give and take,” she reflects. “It is important on these projects to listen — really listen to the client and channel their needs effectively without compromising on what you feel will work best for the space. I’ve learned through this project in particular, to absorb more of the client’s tastes and combine them with my own, as it results in design that can be quite interesting.” —Kelli
Image above: A piece of art picked for the living room dictated the design for the rest of the house, and from that choice came a style that blends traditional Indian influence with vintage sensibilities, clean lines, and global touches. “The clients wanted a space that was peaceful, elegant and semi-formal,” Shivani begins. “One that had deep, yet muted colors and a mix of modern and vintage elements. They also wanted the decoration to be influenced largely by India, with some influences from other parts of the globe they’d traveled to.”